home Heating installation Analysis of Yesenin’s poem “Good morning. Analysis of the poem “Good morning!” Yesenina S.A. Good morning, what is Yesenin talking about?

Analysis of Yesenin’s poem “Good morning. Analysis of the poem “Good morning!” Yesenina S.A. Good morning, what is Yesenin talking about?

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Development of a literature lesson based on S. Yesenin’s poem “Good Morning!”

Lesson objectives:

Educational: introduce students to S. Yesenin’s poem “Good morning!”; enrich children's vocabulary;

Learn to feel and understand the figurative language of a poetic work;

Educational: develop critical thinking, reading skills; form your own attitude towards the material being studied, work on the expressiveness of your speech;

Educational: to cultivate a sense of beauty, love of nature.

During the classes.

Org moment.
Examination homework (student reports about Yesenin’s life and work, presentations)

– Guys, today we are going to meet with the wonderful Russian poet Sergei Yesenin.

– Look at the portrait of S. Yesenin and try to say what he is like.

Which of you can tell about this poet? (Children's answers)

There are children in our class who have worked with additional literature and prepared messages for the lesson.

3) Communicating the topic of the lesson with the primary updating of knowledge.

Today we are going into the world of poetry. Try to formulate the topic of our lesson.

What would you like to know and learn? Based on this, is the purpose of our lesson? (Learn to feel and understand the figurative language of poetic speech).

Why do you need this knowledge?

Let's think about what poetry is and what it means for a person

4) Expressive reading of the poem “Good morning!” teacher.

5). Analysis of the poem.

Think about what this poem is about? What is its theme? What is the nature of the poem? What mood does Sergei Yesenin’s poem “Good Morning” create? What means of expressive language did the poet use? (A poem about nature, this is a landscape lyric)

Pay attention to the problems that need to be solved in class.

Try to follow how the poet’s gaze moves, how he shows the reader a picture of nature.

First stanza:

The golden stars dozed off,
The mirror of the backwater trembled,
The light is dawning on the river backwaters
And blushes the sky grid.

The first and last lines of this stanza show us the sky (golden stars, the sky grid) - the upper border of the world. The second and third lines show us water (the mirror of the backwater, river backwaters) - the lower boundary of the world. Thus, the poet’s gaze, moving up-down-up, forces the reader to also take in the entire huge world.

Second stanza.

The sleepy birch trees smiled,
Silk braids were disheveled.
Green earrings rustle
And the silver dews burn.

Take a close look at the picture the poet paints. How does his gaze move? What technique does the poet use? (Each subsequent line of this stanza gives an increasingly detailed description of the poet’s favorite tree, as if a picture is floating on us. Together with the poet, we examine the trees more and more carefully, peer into them. The technique of approximation is used).

Thus, the central stanza of the poem shows the reader the middle world of the big picture.

Third stanza.

The fence is overgrown with nettles
Dressed in bright mother of pearl
And, swaying, whispers playfully:
"Good morning!".

What does the poet draw the reader's attention to? Let's follow the poet's gaze.

The gaze drops to the lower horizontal of the picture, to the level of the grass: “near the fence... nettles.”

How expected was the very last line of the poem? How does it help to feel the poet’s mood?

We hardly expected to hear the greeting “Good morning!” from the face of nettle. It’s not for nothing that the poet used the word “playful” here, because he himself probably played a little naughty with the reader. The poet deliberately used the image of the most unassuming plant to pronounce the most important phrase of the work in order to show that in nature there are no chosen ones, that everyone is equally happy about the coming of a new day.

6). Work on the means of expressive language in a poem.

Let us consider by what means the poet paints a picture of nature and creates a person’s mood.

Our task is to search for means of expressive language, among which the epithet is very common. Let's remember what an epithet is? Students' answers are supported by examples from the poem. Let's write down the definition of the epithet in a notebook.

Let us remember what personification is, which is also very often found in poetic texts of a landscape nature. Let's check the answer. Let's write down the definition of personification in a notebook.

Let's repeat the task of finding personification in the next stanza of the poem and test ourselves. One minute is allotted for work.

Let's remember what a metaphor is. How is a metaphor different from a simile? Let's write down the definition of metaphor in a notebook.

Let's repeat the task of finding a metaphor in the next stanza of the poem and test ourselves. One minute is allotted for work

"Good morning!" Yesenina S.A.

Poem « » was written by Yesenin in 1914, at the very beginning of his creative path, therefore, not marked by either mental turmoil or melancholy. The poet is twenty years old, he recently arrived in the capital from the village, and so far in his works one can only see the beauty of nature, which he understands almost as well as the Creator, plus the daring of youth and some sentimentality.

“Singer of his native village”, “Russian nature” - these cliches thoroughly stuck to Sergei Yesenin during his lifetime. No one before or after him managed to convey not only the beauty, but also the dreary charm of the village; make the reader feel like he is there - in the described forest, on the shore of a lake or next to a hut.

“Good morning” is a lyrical work that describes the dawn in halftones - a calm and beautiful natural phenomenon. The poem is saturated (not to say oversaturated) with figurative and expressive means; so many colors fit into four stanzas that the early morning is clearly visible to the reader.

Fascinating from the very beginning alliteration: “The golden stars dozed off, the mirror of the backwater trembled, light dawned on the river backwaters.”- seven words begin with the letter “z”, and together with the combination “zzh” in the middle of the word, these lines clearly give rise to the feeling of a slight trembling, ripples running through the water. The first stanza can be completely attributed to the introduction - the author seems to throw light background colors onto the canvas. If not for the title, the reader would not even understand that we are talking about dawn; not a single word indicates the time of day.

In the second stanza there is a development of the plot, the movement in nature appears more clearly. This is indicated by several verbs: "smiled", "disheveled", "rustling", "burning". However, why these actions occur is again not directly indicated.

And the third stanza is explicit climax and simultaneous ending. "Overgrown Nettle" described in expressive, even catchy words: “dressed in bright mother of pearl”, followed by personification “swaying, whispering playfully”, and finally - direct speech, three words that reveal the essence of the phenomenon being described: "Good morning!" Despite the fact that the same phrase is included in the title, it still remains somewhat unexpected. This feeling is created by the shortened last line - four stressed syllables instead of ten. After a smooth rhythmic narrative, they seem to wake up the reader, the author put the last energetic stroke on the canvas: nature has come to life, the sleepy mood will dissipate this minute!

The poem is written iambic pentameter, although when read, the meter seems complex due to the alternation of stressed and unaccented feet. Each line begins with an unstressed line, then runs up to the middle with two stressed lines, and again a pause. Therefore, the rhythm of the poem seems to rock, lull, enhancing the feeling of pre-dawn silence.

Cross rhyme, most often found in Yesenin, is perfectly suited to a descriptive poem - calm alternation in a calm narrative.

Such generous use of figures of speech can only be appropriate in lyrical descriptions, and few poets could use them so skillfully.

Epithets "golden", "silver", "silk" characterize natural beauty as precious, and personifications "the stars dozed off", “The birch trees smiled”, "nettle whispers" They make everything around them alive, no less than a person. Thanks to these touches, nature appears before the reader as unusually beautiful, majestic and at the same time close and understandable. Birches are described as girlfriends, village girls, and "naughty" Nettle also greets with simple and familiar words.

Metaphors extremely precise and expressive: "mirror of the backwater" immediately draws a frozen surface of water with a reflection of the sky; "sky grid", which "the light is blushing"- a scattering of pink cirrus clouds in the east.

After reading the poem, you are left with the feeling that the author not only painted a perfect picture for the reader, but also forced him to visit there, feel the pre-dawn silence and blessed peace. And the title "Good morning!", repeated in the finale, calls for goodness and fills the soul with anticipation of joy. This is the best aftertaste a piece can leave.

✧✧✧ GOOD MORNING ✧✧✧

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The golden stars dozed off,
The mirror of the backwater trembled,
The light is dawning on the river backwaters
And blushes the sky grid.

The sleepy birch trees smiled,
Silk braids were disheveled.
Green earrings rustle
And the silver dews burn.

The fence is overgrown with nettles
Dressed in bright mother of pearl
And, swaying, whispers playfully:
"Good morning!"

1914

Analysis of the poem "Good morning!" Sergei Yesenin

This is a picture of life. Brilliant, colorful nature in all its bloom and splendor. The whole picture has a “nature-man” quality.
All Yesenin’s poetry is full of metaphors, personifications and other means of artistic expression, without which there is not even a line in this poem.
“the stars dozed off”, “the birch trees smiled”, “the braids were disheveled”, “the nettle got dressed”, “whispers playfully” - personifications.
In the reader’s mind there is the idea of nature awakening to life, or rather from sleep. It’s not for nothing that the poem is called that way!
“mirror of the backwater”, “the dew is burning”, “sky grid” - metaphors.
Images of nature are depicted by epithets, or rather with their help:
With the words “sleepy birch trees smiled,” “silk braids disheveled,” “whispers playfully,” the poet is trying to show us that nature is alive, that is, Yesenin uses personifications and epithets. The author even portrays the ordinary nettle as a flirtatious, beautiful minx.

The fence is overgrown with nettles
Dressed in bright mother of pearl
And, swaying, whispers playfully:
"Good morning!"

“golden stars”, “sleepy birches”, “silk braids”, “silver dews”.

The golden stars dozed off,
The mirror of the backwater trembled.
The light is dawning on the river backwaters
And blushes the sky grid.

The sleepy birch trees smiled,
Silk braids are disheveled,
Green earrings rustle
And the silver dews burn.

The poem also contains alliteration, that is, repetitions of (w) and (s).

Option 2

Poem "Good morning!" written in 1914, allows us to fully judge Yesenin’s poetic talent and his reverent attitude towards his homeland. A small poetic sketch that tells how the world awakens under the first rays of the gentle summer sun, filled with lyricism and amazingly beautiful metaphors.
A special place in the work of Sergei Yesenin is occupied by the image of the Russian birch, which appears in various forms. However, most often the poet attributes to her the features of a young, fragile girl. In the poem "Good Morning!" It is the birches that are one of the key characters that “come to life” at the will of the author. Under the influence of warm sun rays they “smiled” and “tumbled their silken braids.” That is, the poet deliberately creates an attractive female image in readers, complementing it with “green earrings” and drops of dew, sparkling like diamonds.
Possessing a bright poetic talent, Sergei Yesenin easily combines the magic of Russian nature and completely ordinary, everyday things in his works. For example, in the poem “Good Morning!” Against the backdrop of a revived creek and a birch girl, the author describes an ordinary village fence with thickets of nettles. However, even this prickly plant, which Yesenin also associates with a young lady, is endowed by the poet with pristine beauty, noting that the nettle “is dressed in bright mother-of-pearl.” And this extraordinary outfit seemed to transform the burning beauty, turning her from an evil and grumpy fury and a social coquette who wishes good morning to random passers-by.

Analysis of Sergei Yesenin’s poem “Good Morning”

Option 3

Sergei Yesenin grew up in a rural area and all his work is shrouded in lyrics. He loved nature very much and compared human feelings with natural phenomena.
The poet transfers the character and behavior of a person to elements of the landscape. The work “Good Morning” reflects the direction of the entire work of the national poet. The author animates trees and celestial bodies.
It would seem that the poet saw an ordinary dawn through the prism of his imagination and the creative essence of existence. The rays of the sun represent the birth of a new life, the awakening of all living things. As a village boy, the poet got up early from early childhood.
In rural areas, all residents rise very early. For S.A. Yesenin, morning had a special meaning. Already living in Moscow, he got up early every day and worked. It was this organization that allowed the poet to write many works. In the morning nature woke up, life began and the muse came to the great poet.
Some people don't even watch the sunrise. For S.A. Yesenin it was a wonderful phenomenon. He describes it as an extraordinary event that will transform the entire world. In the poem, the image of a young girl is read in the image of a native Russian tree. She also wakes up early in the morning and blossoms.
The author decorates the “birch tree” with drops of dew and “green earrings”. Thus, the poet emphasizes the beauty of Russian girls and their naturalness. In this image, the girl seems to have grown roots into the Russian soil and it is here that she is full of energy, life and beauty.
Combining nature and ordinary life things, S.A. Yesenin shows the power of unity. It looks like there is a birch tree and a creek, and not far away there is an ordinary village fence. It’s just that often people, behind the ordinariness of things, do not notice the beauty of the world around them.
S.A. Yesenin fills the poem with metaphors and comparisons. This allows readers to fully appreciate the beauty of the world around them, which not everyone notices. The repetitions of the sounds [w] and [s] create a peculiar rustling of the light morning breeze and fully convey the atmosphere.

In the image of nettle, the author portrays a grumpy and “prickly” neighbor who lives with almost every reader. S.A. Yesenin transformed the image and it no longer looks so intimidating. Thus, the author shows that the most unsightly character traits can change. Almost all stanzas begin with verbs. This creates a feeling of movement and life.

Analysis of Yesenin’s poem “Good morning!”

Option 4

Yesenin's creativity is inextricably linked with landscape lyrics, inspired by memories of childhood. The poet grew up in the village of Konstantinovo, Ryazan province, which he left as a 17-year-old youth, setting off to conquer Moscow. However, the poet kept the memory of the amazingly bright and exciting Russian nature, changeable and multifaceted, in his heart for the rest of his life.
The poem “Good morning!”, written in 1914, allows us to fully judge Yesenin’s poetic talent and his reverent attitude towards his homeland. A small poetic sketch that tells how the world awakens under the first rays of the gentle summer sun. filled with lyricism and amazingly beautiful metaphors.
Thus, in each stanza of the poem there is imagery characteristic of Yesenin. The poet consciously endows inanimate objects with qualities and abilities that are inherent in living people. The morning begins with the “golden stars dozing off”, giving way to the daylight. After this, “the mirror of the backwater trembled,” and the first rays of the sun fell on its surface. Daylight Yesenin associates with natural source life, which gives warmth and “blushes” the sky. The author describes the sunrise as if this familiar natural phenomenon represents some kind of miracle, under the influence of which the whole the world is transformed beyond recognition.
The image of the Russian birch occupies a special place in the work of Sergei Yesenin, which appears in various guises. However, most often the poet attributes to her the features of a young, fragile girl. In the poem "Good Morning!" It is the birches that are one of the key characters that “come to life” at the will of the author. Under the influence of the warm rays of the sun, they “smiled” and “tumbled their silken braids.” That is, the poet deliberately creates an attractive female image in readers, complementing it with “green earrings” and drops of dew, sparkling like diamonds.
Possessing a bright poetic talent, Sergei Yesenin easily combines in his works the magic of Russian nature and completely ordinary, everyday things. For example, in the poem “Good Morning!” Against the backdrop of a revived creek and a birch girl, the author describes an ordinary village fence with thickets of nettles. However, even this prickly plant, which Yesenin also associates with a young lady, is endowed by the poet with pristine beauty, noting that the nettle “is dressed in bright mother-of-pearl.” And this extraordinary outfit seemed to transform the burning beauty, turning her from an evil and grumpy fury and a social coquette who wishes good morning to random passers-by.
As a result, this work, consisting of only three short quatrains, very accurately and completely reproduces the picture of the awakening of nature and creates an amazing atmosphere of joy and peace. Like a romantic artist, Yesenin endows each line with a wealth of colors that can convey not only color, but also smell, taste, and feelings. The author deliberately left many nuances behind the scenes and did not talk about what the coming day would be like and what exactly it would bring. Because such a story would certainly destroy the subtle charm of that moment that separates night from day and is called morning. But with all this, the poem looks like a completely full-fledged work, the logical conclusion of which is the wish “Good morning!”, addressed to all those who have met the dawn in the village at least once in their lives and can appreciate the moment of awakening of nature, exciting and magnificent.

From the very beginning, the alliteration is fascinating: “The golden stars have dozed off, The mirror of the backwater has trembled, Light is dawning on the river backwaters” - seven words begin with the letter “z”, and together with the combination “zzh” in the middle of the word, these lines clearly give rise to a feeling of slight trembling, ripples running through the water. The first stanza can be completely attributed to the introduction - the author seems to throw light background colors onto the canvas. If not for the title, the reader would not even understand that we are talking about dawn; not a single word indicates the time of day.

In the second stanza - the development of the plot, the movement in nature appears more clearly. This is indicated by several verbs: “smiled”, “dishevelled”, “rustled”, “burned”. However, why these actions occur is again not directly indicated.

And the third stanza is a clear culmination and simultaneous finale. “Overgrown nettle” is described in expressive, even catchy words: “dressed in bright mother-of-pearl.” This is followed by the personification “swaying, whispering playfully.” and finally - direct speech, three words that reveal the essence of the phenomenon being described: “Good morning!” Despite the fact that the same phrase is included in the title, it still remains somewhat unexpected. This feeling is created by the shortened last line - four stressed syllables instead of ten. After a smooth rhythmic narrative, they seem to wake up the reader, the author put the last energetic stroke on the canvas: nature has come to life, the sleepy mood will dissipate this minute!

The poem is written iambic pentameter, although when read, the meter seems complex due to the alternation of stressed and unaccented feet. Each line begins with an unstressed line, then runs up to the middle with two stressed lines, and again a pause. Therefore, the rhythm of the poem seems to rock, lull, enhancing the feeling of pre-dawn silence.

Cross rhyme- most often found in Yesenin, perfectly suits a descriptive poem - calm alternation in a calm narrative.

Such generous use of figures of speech can only be appropriate in lyrical descriptions, and few poets could use them so skillfully.

The epithets “golden”, “silver”, “silk” characterize natural beauty as precious, and the personifications “stars dozed off”, “birch trees smiled”, “nettle whispers” make everything around alive, no less than a person. Thanks to these touches, nature appears before the reader as unusually beautiful, majestic and at the same time close and understandable. Birches are described as if they were girlfriends, village girls, and “playful” nettles also greet you with simple and familiar words.

The metaphors are extremely accurate and expressive: the “mirror of the backwater” immediately draws a frozen surface of water with a reflection of the sky; “the mesh of the sky”, which is “blushed by the light” - a scattering of pink cirrus clouds in the east.

After reading the poem, you are left with the feeling that the author not only painted a perfect picture for the reader, but also forced him to visit there, feel the pre-dawn silence and blessed peace. And the title is “Good Morning!” repeated in the finale, calls for goodness and fills the soul with anticipation of joy. This is the best aftertaste a piece can leave.

Poem “Good morning!” , written in 1914, allows us to fully judge Yesenin’s poetic talent and his reverent attitude towards his homeland. A small poetic sketch,

It tells the story of how the world awakens under the first rays of the gentle summer sun, and is filled with lyricism and amazingly beautiful metaphors.

Thus, in each stanza of the poem there is imagery characteristic of Yesenin. The poet consciously endows inanimate objects with qualities and abilities that are inherent in living people. The morning begins with the fact that “the golden stars dozed off,” giving way to the daylight. After this, “the mirror of the backwater trembled,” and the first rays of the sun fell on its surface. Yesenin associates daylight with a natural source

Life, which gives warmth and “blushes” the horizon. The author describes the sunrise as if this familiar natural phenomenon represents some kind of miracle, under the influence of which the entire surrounding world is transformed beyond recognition.

A special place in the work of Sergei Yesenin is occupied by the image of the Russian birch, which appears in various forms. However, most often the poet attributes to her the features of a young, fragile girl. In the poem “Good Morning!” It is the birches that are one of the key characters that “come to life” at the will of the author. Under the influence of the warm rays of the sun, they “smiled” and “tumbled their silken braids.” That is, the poet deliberately creates an attractive female image in readers, complementing it with “green earrings” and drops of dew, sparkling like diamonds.

Possessing a bright poetic talent, Sergei Yesenin easily combines the magic of Russian nature and completely ordinary, everyday things in his works. For example, in the poem “Good Morning!” Against the backdrop of a revived creek and a birch girl, the author describes an ordinary village fence with thickets of nettles. However, even this prickly plant, which Yesenin also associates with a young lady, is endowed by the poet with pristine beauty, noting that the nettle “is dressed in bright mother-of-pearl.” And this extraordinary outfit seemed to transform the burning beauty, turning her from an evil and grumpy fury and a social coquette who wishes good morning to random passers-by.

As a result, this work, consisting of only three short quatrains, very accurately and completely reproduces the picture of the awakening of nature and creates an amazing atmosphere of joy and peace. Like a romantic artist, Yesenin endows each line with a wealth of colors that can convey not only color, but also smell, taste, and feelings. The author deliberately left many nuances “behind the scenes” and did not talk about what the coming day would be like and what exactly it would bring. Because such a story would certainly destroy the subtle charm of that moment that separates night from day and is called morning. But with all this, the poem looks like a completely full-fledged work, the logical conclusion of which is the wish “Good morning!”, addressed to all those who have met the dawn in the village at least once in their lives and can appreciate the moment of awakening of nature, exciting and magnificent.

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Analysis of Yesenin’s poem “Good morning!

The poem “Good Morning” was written by Yesenin in 1914, at the very beginning of his creative career, and therefore is not marked by either mental turmoil or melancholy. The poet is twenty years old, he recently arrived in the capital from the village, and so far in his works one can only see the beauty of nature, which he understands almost as well as the Creator, plus the daring of youth and some sentimentality.

From the very beginning, the alliteration is captivating: “The golden stars have dozed off, The mirror of the backwater has trembled, Light is dawning on the river backwaters” - seven words begin with the letter “z”, and together with the combination “zzh” in the middle of the word, these lines clearly give rise to a feeling of slight trembling, ripples running through the water. The first stanza can be completely attributed to the introduction - the author seems to throw light background colors onto the canvas. If not for the title, the reader would not even understand that we are talking about dawn; not a single word indicates the time of day.

In the second stanza there is a development of the plot, the movement in nature appears more clearly. This is indicated by several verbs: “smiled”, “dishevelled”, “rustled”, “burned”. However, why these actions occur is again not directly indicated.

And the third stanza is a clear culmination and simultaneous finale. “Overgrown nettle” is described in expressive, even catchy words: “dressed in bright mother-of-pearl,” followed by the personification “swaying, whispering playfully,” and finally - direct speech, three words that reveal the essence of the phenomenon being described: “Good morning!” Despite the fact that the same phrase is included in the title, it still remains somewhat unexpected. This feeling is created by the shortened last line - four stressed syllables instead of ten. After a smooth rhythmic narrative, they seem to wake up the reader, the author put the last energetic stroke on the canvas: nature has come to life, the sleepy mood will dissipate this minute!

The poem is written in iambic pentameter, although when read, the meter seems complex due to the alternation of stressed and unstressed feet. Each line begins with an unstressed line, then runs up to the middle with two stressed lines, and again a pause. Therefore, the rhythm of the poem seems to rock, lull, enhancing the feeling of pre-dawn silence.

Cross rhyme, most often found in Yesenin, is perfectly suited to a descriptive poem - calm alternation in a calm narrative.

Such generous use of figures of speech can only be appropriate in lyrical descriptions, and few poets could use them so skillfully.

After reading the poem, you are left with the feeling that the author not only painted a perfect picture for the reader, but also forced him to visit there, feel the pre-dawn silence and blessed peace. And the title “Good morning!”, repeated in the finale, calls for goodness and fills the soul with anticipation of joy. This is the best aftertaste a piece can leave.